 |
| CBOT bldg. Sculptural Reliefs - by Alvin Meyer |
Chicago Board of Trade (CBOT) Building
Architects: Holabird & Root
Sculptural Reliefs: Alvin Meyer
Completed: 1930
The CBOT building was designated a Chicago Landmark on May 4, 1977
The CBOT building is also a National Historic Landmark
 |
| 13 feet clock flanked on each side by hooded figure, a Mesopotamian farmer holding grain and a Native American farmer holding corn / CBOT bldg. |
Artwork in the Chicago Board of Trade [CBOT] building inludes:
Agriculture and Industry sculptures in it's plaza
Ceres, by John Bradley Storrs
Sculptural reliefs by Alvin Meyer
All these artworks reflect the commodities trade inside the building.
The sculptural relief works on the building's facade facing the LaSalle Street [North side].. In the center, is a 13 ft diameter clock and on each side of the clock is a hooded figure, an Mesopotamian farmer holding grain and a Native American holding corn. The relief work is by Alvin Meyer, one time a leader of Holabird & Root's sculpture department.
 |
| CBOT bldg. Clock flanked by sculptural reliefs by Alvin Meyer |
 |
| Sculptural Reliefs by Alvin Meyer / CBOT bldg. |
 |
| Ceres - by John Storrs atop the CBOT bldg. |
Ceres - by John Bradley Storrs
Description: Aluminium, 32-foot tall..
Ceres, the Roman goddess of grain and the patron saint of corn traders.
 |
| Agriculture and Industry sculptures in the CBOT bldg. plaza |
Agriculture and Industry sculptures - by Unknown sculptor
Location: The Chicago Board of Trade plaza
Description: Granite / 12 foot high / Five-&-half ton weight..
 |
| Sculptural Reliefs by Alvin Meyer in the Riverside Plaza blldg. |
Sculptural Relief by Alvin Meyer..
Alvin Meyer, who made the sculptural reliefs for the Chicago Board of Trade building
also made reliefs for the Riverside Plaza.. It traces the history of printing..
8 comments:
Alvin Meyer was not just the sculptor behind the relief work found on the CBOT Building, but was also the creator of the free-standing "Statue of Industry" and "Statue of Agriculture" found in the building's plaza. Indeed, as you mention in your blog, he was the head of Holabird & Root's architectural sculpture department at the time of the building's creation. As such, he was, personally, behind each and every choice of artwork found on, in, and around the high rise. This included all that interesting symbolism found throughout the building's façade, not to mention personally choosing the John Stoor statue that stands looking over us all.
Thanks for writing and you have some wonderful piece of information. But I have got to ask, who are you, and where does these information come from?
You can comment here or email me..
jyoti@lensimpressions.net
Hello, I'd love to hear more information of Alvin Meyer. I am a third generation ancestor of him. Please, email me with anything you know. I'd love to learn a bit about him.
Thank you.
While the style is a tad different from his usual Art Deco flair, Alvin Meyer also sculpted Industry and Agriculture. (He was also a central figure behind the architectural development of the "plaza" as a way for people to enjoy art while taking their leisure outside of the working environment.)
"...a tad different from his usual Art Deco flair"?
snort. just to set the record straight.
The sculptor(s) of Industry and Agriculture are unknown. So far. They're granite, and they appeared above the central clocktower entrance of W.W. Boyington's 1885 Broad of Trade building. That was eight years before Alvin Meyer was born -- in Bartlett. That's a punishing commute for a negative-eight-year-old. The only person known to have worked on the 1885 BOT was a fellow from Indianapolis named John Mahoney, but for a bas-relief, not these two figures.
Alvin Meyer was my great uncle. His brother August Meyer, was my grandfather. What a talent he was. Can't wait to see his work in person. I have at least one picture of him when he was a young man, still living in Cambridge, MD. My father remembers him & has told me stories about what an incredible artist he was.
Just came upon this blog. between 1970-1975 my wife and I lived in an artist's studio that Alvin Meyer built on Lattin Road just north of Pentwater, Michigan. His daughter Louisa lived nearby and we came to an agreement that we could live there in exchange for fixing it up. It had not been lived in for awhile prior and had suffered from some vandalism, but it was a magical place right on a small stream. The main building was made of yellow brick with timber framing, lofts on both ends, and a large set of north facing windows. Attached to the back was a log building. A separate brick and timber garage stood to the side and was connected to the main house by a wall with a series of arches. Along the beautiful little stream were remnants of several sculpted fountains and on the inside wall of the house was a plaster relief of Hammurabi. We modified the building by adding 1" of foam insulation on the interior but it was always cold regardless. After we moved in 1975, tenants moved in and the place burned down several years later. His daughter still lives on the property in a home she built. I'd be happy to provide some photos if there is an interest.
I hope to see Alvin Meyer’s work in person!
The style is amazing and I’d love to learn more about him and his work.
Post a Comment